Between wink to Frankeinstein, diversion of monastic habit and colors for sweet young lady of good family, Christopher Kane offers a summer collection especially intriguing stylistic experiments where classical details and collide.
The major inspiration of the last spring / summer collection by Christopher Kane may well be the scary Frankenstein difficult to find something frightening fashionistas.
Because if the creator will actually convene the spirit of the hero of Mary Shelley, it is only to resume gimmick screws and bolts out of the neck of the latter, in order to transform them into translucent ties may come wrinkle high necklines, straps, bending inserts chasuble and maintain panels pancake.
To this effect claimed in addition to the aesthetic loans Audrey Hepburn, playing strips of fabric – which ergonomics is reminiscent of stoles and other Catholic religious congregations clothes – color palette and syrupy. DNA very wise on paper, that does not lose all its candor least once passed through the filter of mischievous imagination mister Kane.
So the pretty pastel dresses dévergondent moult in contact openings subtly revealing the epidermis, the toilet austere dare slots lewd and tailors and other sets mémérisant try transparency.
And if the material effects evoking the spun sugar technique here give birth to toilet as smart as futuristic, some experiments the Scottish designer does not fall less flat. Examples include the ribbon motif a bit too first degree, the maximum node not always used, but also and above all these pieces of scotch barring black lace and chiffon awkwardly.
Models that achetereurs not hesitate to sulk certainly not in favor of leather biker jackets embossed T-shirts bearing the image of Frankenstein and other micro bold cocktail dresses.